“Thunderclap: A Memoir of Art and Life and Sudden Death”

Welcome to Museum Reads, the Newport Art Museum’s Art-Themed book group for adults! Are you looking to learn more about art and artists, or enjoy digging into some of the issues present in our current exhibitions? Then this friendly discussion group is for you. We meet monthly on the third Thursday at 12 noon, in person and virtually. Join us virtually from the office for an invigorating lunch break, or enjoy an hour of inspiration during a wee one’s nap time, or find us in the gallery for in-person conversation.

Thunderclap: A Memoir of Art and Life and Sudden Death by Laura Cumming

In 1654, the Thunderclap—an enormous explosion at a gunpowder store—devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more.

Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our view and understanding of the world is the heart of this book. Cumming has brought her unique eye to her most compelling subject yet.

Featuring beautiful full-color images of Dutch paintings throughout, this is “a glorious tribute to the two men who showed her the truth of the notion that paintings offer ‘a land in themselves, a society, a place to be’” (The Economist).

Museum Reads is free for Members, and $5 for yet-to-be Members.  

Be sure to register online to receive email updates and Zoom links.
For last minute registrations, please call the front desk for the Zoom link at 401-848-8200.

Laura Cumming is a British journalist who is the art critic of The Observer newspaper, a position she has held since 1999. Before that she worked for The Guardian, the New Statesman and the BBC.