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James Baker: an Aesthetic Life

February 11, 2027 - June 6, 2027

Griswold House

James Baker: An Aesthetic Life explores more than five decades of painting and the interconnected pursuits of an artist, collector, and educator whose life has been deeply rooted in Newport. Moving between abstraction and figuration, Baker translates close observation of the natural world into investigations of color, surface, and form.

From expansive fields of pigment and carefully balanced squares to paintings inspired by the rock formations at Hazard Beach, his work brings measured structure into conversation with the unpredictable effects of stain, gesture, and light.

Bringing together distinct bodies of work, the exhibition reveals a sensibility shaped by the coastal landscape, a sustained engagement with modern art, and a search for meaning beyond appearances. For Baker, the familiar forms of his surroundings become touchstones for an inward exploration, connecting the experience of place with questions of presence, time, and existence.

Painting emerges as a contemplative practice, through which the patient observation of a rock, a shoreline, or a field of color becomes a way of finding spiritual meaning, drawing together what Baker sees, what he makes, and how he inhabits the world.

Exhibition organized by  Chris Coffin, Jeff Foye, and Danielle Ogden. With special thanks to Mike Howe, Alyson Baker, and Christopher Baker.

About James Baker

James Baker is an artist, collector, and educator whose life and work have been shaped by a sustained relationship with Newport. Working across painting, drawing, printmaking, and photography, he brings close observation of the natural world into dialogue with the expressive possibilities of abstraction. Coastal rocks, flowers, tidal forms, and changing light become subjects to revisit over time, informing an ongoing exploration of color, surface, and perception.

Baker earned a BA from Providence College and BFA and MFA degrees from the Rhode Island School of Design. He taught at RISD from 1971 to 1973 and at Providence College from 1973 to 2008, where he is Professor Emeritus in the Department of Art and Art History. His decades of teaching developed alongside a studio practice grounded in experimentation, patient looking, and an interest in the contemplative dimensions of art.

Collecting and curatorial inquiry have also been central to Baker’s aesthetic life. In 1996, he curated works by Joseph Beuys at the Newport Art Museum. He later collaborated on Another View of Joseph Beuys: Multiples from New England Collections, presented at Brown University’s David Winton Bell Gallery in 2006. His engagement with Beuys also encompassed a presentation involving the Redwood Library and gifts to the RISD Museum. These activities extend the curiosity that connects his work in the studio with his life as a teacher and collector.

Baker’s work has been presented in solo exhibitions at the Newport Art Museum, Providence College, and Salve Regina University, as well as in Tokyo. In 1999, the Newport Art Museum organized a thirty-year retrospective of his work. His paintings and works on paper are represented in collections including the Newport Art Museum and the RISD Museum.