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Founded in 1912, the Newport Art Museum is one of the oldest continuously operating and most highly regarded art museums and schools of its kind in the country.
The Newport Art Museum’s collection consists of approximately 3,000 works of art in a range of media including works on paper (prints, drawings, watercolors, and photographs), paintings, sculptures, decorative arts, installation works, and textiles and is expanding to include new media. Concentrated on American art and contemporary art, the Museum’s collection includes works of art from the 18th century to present.
As a valued Newport Art Museum member you're entitled to free admission, are invited to members' only events and exhibition tours, receive discounts on Museum School class tuition and public program tickets, and will be supporting the Museum's mission to share a diversity of art and experiences to our Newport community and beyond.
By supporting the Newport Art Museum Annual Fund at any level, you help make a positive difference in the lives of many. Our exhibitions, public programs, education, and community outreach, which includes a diversity of artistic voices, would not be possible without you. Help the Newport Art Museum continue to spark reflection, inspiration, discovery and build lasting connections by making your tax-deductible contribution today. We thank you for believing in the transformative power of art and allowing us to make art accessible to all for generations to come. Help the Newport Art Museum continue to spark reflection, inspiration, discovery, and build connections by making your tax-deductible contribution TODAY!
Are you a business owner who is looking for new ways to engage and connect with local Newport customers on a year round basis? We have the perfect opportunity. Sponsor a Newport tradition - The Newport Art Museum - Make NAM part of your marketing plan in 2025. We have an array of events and exhibits to offer you. Our first exciting event is the 2025 Winter Speaker Series in its 97th Year.
This exhibition features important works of art from the Museum’s collection by people who identify as women. Over the past several years, the Newport Art Museum has endeavored to increase representation of women in its permanent collection. Whereas women artists once comprised less than half of the contemporary collection, they now represent seventy-percent. These works were acquired to support the Museum’s mission, which is “to share a diversity of art and experiences that spark reflection, inspiration, discovery, and connections within our Newport community and beyond.”
It is also true that female-identifying artists have faced unique obstacles in the art world. Art historian Linda Nochlin once asked, “Why have there been no great women artists?” Using that question as the title for her seminal 1971 essay, Nochlin examined the institutional forces and misconceptions that prohibited women from earning recognition as “great artists,” such as lack of access to arts education and criticisms that touted male artistic genius. Nochlin is just one of the many art historians who have examined and critiqued the art historical canon and promoted the work of women artists.
Although written over fifty years ago, Nochlin’s work of feminist art criticism still holds true. Moreover, BIPOC, LGBTQIA+, and working-class women artists deal with the additional challenges of systemic racism and discrimination. Hillary Clinton once famously said that “ . . . the rights of women and girls is the unfinished business of the 21st century.” This quotation applies to the art world as well. Showcasing women artists from the Museum’s collection, this exhibition attempts to work on that “unfinished business.” At the same time, the Museum’s collection is a work in progress. The Museum has the unfinished business of representing more BIPOC, LGBTQIA+, working class, and neurodiverse voices in the collection.
The artists in this exhibition explore many important themes, such as climate change, women’s rights, colonialism, heritage, oppression, conflict, language, art history, the body, surveillance, and racial, gender, religious, and ethnic identity among others.
Featured artists include: Lisa Barthelson, Lindsey Beal, Donnamaria Bruton, Mary Dondero, Minoo Emami, Jemison Faust, Donna Ferrato, Sally Gall, Judy Gelles, Mags Harries, Nancy Grace Horton, Pouran Jinchi, Corita Kent, Florence Leif, Rania Matar, Annu Palakunnathu Matthew, Lindsay Morris, Louise Nevelson, Lissa Rivera, Camille Seaman, Meredith Stern, May Stevens, Nafis M. White, Claudia Widdiss, and Toots Zynsky.
Explore exhibition content more deeply through articles, books, films, glossaries, and more, compiled to encourage dialogue and learning.
Nancy Grace Horton, Independence from the series “Ms. Behavior”, 2011, archival pigment print, Museum Purchase, 2018.003.002.
Camille Seaman, Tabular Iceberg at Dawn on the Solstice in the Weddell Sea, Antarctica, December 22, 2021 from the series "Matter of Time", 2023, photographic print, Museum Purchase with funds provided by Karl and Teryn Weintz, 2023.002.002.
Annu Palakunnathu Matthew, Man on Beach from the series "Memories of India," 2003, Gift of the Artist, 2022.004.001.
Lindsay Morris, Life in Pink from the series "You are You,” 2011, archival pigment print, Gift of the Artist, 2021.003.001.
Nafis M. White, Oculus - Purple/Black/Gray/Crimson/Blonde, 2019, Hair, Embodied Knowledge, Ancestral Recall, Audacity of Survival, Bobby Pins, Purchased with funds provided by Karl and Teryn Weintz and the Museum Purchase Fund 2021.001.001.
Donna Ferrato, Leah O’Loughlin, WA, DC, 2017, archival pigment print, Gift of Kevin D. Willsey, 2020.007.018.
Meredith Stern, Angry Women in Forever Deep Waters , 2014, collage of linoleum block prints, woodblock prints, spray paint, coffee and ink staining, and handwritten history notes from my 103 year old cousin Fannie Simonowsky, Museum Purchase with funds provided by Dr. Joseph A. Chazan, 2017.001.001.
Donnamaria Bruton, Interior #3, c.1997, mixed media: acrylic, paper on panel, Gift from the collection of Dr. and Mrs. Joseph A. Chazan, 2011.003.004.
Toots Zynsky, Ansa, 2008, fillet-de-verre (layered strands of colored glass), Gift of the Dr. Joseph A. and Helene Chazan Collection, 2008.009.004.
Sister Mary Corita Kent, be of love, 1982, serigraph, Gift of Mrs. James Rush Beeler, 1996.008.012.
May Stevens, Big Daddy Paper Doll, 1971, serigraph, Gift of Mr. and Mrs. Samuel Dorsky, 1973.001.020.
Jemison Faust, The Before Part of What I Do #9, 2011-2013, mixed media (thread, string, wire, computer parts, toys, eye glass frames, rubber shirt stays, plastic netting, acrylic gel) on board, Partial gift of the artist and partial purchase through the Newport Art Museum Acquisitions Fund, 2015.012.001.