Master Portrait Workshop (Register by April 20)
April 28, 2020 - April 30, 2020
Tuesday 4:00 pm - 8:00 pm Wednesday 4:00 pm - 8:00 pm Thursday 4:00 pm - 8:00 pm
In this class we will cover some of the basic technical aspects of making portraits in studio and in environment, paying particular attention to the use of light. We will also cover the history of photography through the lens of portraiture and discuss the ethical issues around making portraits and how the relationship between a photographer and sitter can influence the photograph. Lastly, students are invited to bring their work to class for critique.
Supplies to bring
Students should bring:
Their own camera
About the instructor
After graduating from high school in Los Angeles, Suzanne Révy (b. 1962) moved to Brooklyn, NY and earned a BFA in photography from the Pratt Institute where she was immersed in making and printing black and white photographs. She studied with Phil Perkis, Bill Gedney, Ann Mandlebaum, Christine Osinski, and Judy Linn among others. Following art school she worked as a photography editor for U.S.News & World Report magazine in Washington, DC and later as acting picture editor for Yankee magazine in Dublin, NH.With the arrival of two sons, she left the world of publishing and began to make pictures of her children, their cousins, and friends rekindling her interest in making and printing black and white pictures in a traditional wet darkroom. The resulting monochrome series, Time Let Me Play is an exploration of the nature and culture of childhood and childhood play. A second portfolio, To Venerate the Simple Days, was made using a simple plastic camera with color film; it pictured the time spent during the summers with her pre-teen aged children. The images represent an emotional response to that brief moment between childhood and adulthood. She continued to work with color film in the final series of visual family diaries, I Could Not Prove the Years Had Feet. This last portfolio was begun while earning her MFA in photography from the New Hampshire Institute of Art, and it chronicled the shifts and changes of her growing boys as they navigated their teen years.
While pursuing her MFA, she was mentored by photographers a Cheryle St. Onge, a former professor Christine Osinski, Edie Bresler, Stephen Dirado, and curator Francine Weiss. Anticipating the imminent departure of her children, she also turned her attention to the mundane in a series of mobile phone images featured in A Certain Slant of Light, which led to an interest in making landscape diptychs and triptychs using medium format and color film seen in a work in progress tentatively titled A Murmur in the Trees.
Location and Parking
Our School is located at 26 Liberty Street. Museum School students and visitors may park in the museum lots in front and back of Griswold house, or on Liberty Street. Cars parked in the other lots risk being ticketed.
Please review our policies and procedures here before the start of class.
To receive a discounted price, you have three options:
If you're not a member:
Purchase a membership along with a class or event registration, and the discount will be applied in your cart.
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log into your account and the discount will be applied in your cart. You can log in before your purchase, or during the checkout process.
If you are a member, and you did not purchase your membership on this website:
Log in with the email address we have on file for you. If you haven't logged into this website before, you'll need to reset your password first.
If you are a member, and you're having an issue logging in:
Purchase a registration for a class or event, and then call or email the museum, and we will be happy to apply the discount to your purchase.